Kadalpalam (1969)

Top 10 Malayalam Evergreen Movies before 1980s

#1. Aadhiya Kiranangal (1964)

Aadhiya Kiranangal

Aadyakiranangal is a 1964 Indian Malayalam film, directed and produced by P. Bhaskaran. The film stars Sathyan, Madhu, Ambika and K. R. Vijaya in lead roles. The film had musical score by K. Raghavan. The film won National Film Award for Best Feature Film in Malayalam.

#2. Kadalpalam (1969)


The story revolves round the family of Narayana Kaimal (Sathyan), a leading advocate who loses his eyesight. Kaimal is a strict disciplinarian and always tries to impose his thoughts and principles on his children and fellow beings. This creates a conflict with others. Kaimal’s elder son Raghu (Again Sathyan) dislikes the obstinate nature of his father leading to constant conflicts between the two. Kaimal’s younger son Prabhakaran (K. P. Ummer) who is an advocate and daughter Geetha (Jayabharathi) try to obey their father, but at times they only pretend to obey him. Kaimal now sees the world through the eyes of his faithful servant Appu (Bahadur).

#3. Nadhi (1969)


Nadhi (Malayalam: നദി) is a 1969 Indian Malayalam film, directed by A Vincent and produced by Hari Pothan. The film stars Prem Nazir, Sharada, Madhu and Kaviyoor Ponnamma in lead roles. The film had musical score by G. Devarajan.[1][2][3] The film is best known for the performance by Prem Nazir, and the songs.

#4. Neelakkuyil (1954)


An untouchable girl is found dead with her illegitimate child, the child is adopted by a postman, a high caste Hindu…

#5. Odeyil Ninnu (1965)

Odeyil Ninnu

A poor man living in Kerela follows his heart and instincts to save a child from the gutter, brings her up with love…

#6. Bharya (1962)


Bharya is a 1962 Malayalam language film starring Sathyan and Ragini in the lead roles. It was directed by Kunchacko based on a novel with the same title by Kanam EJ. The novel was based on the controversial Thiruvalla Ammalu murder case. Ponkunnam Varkey wrote the dialogues, which became a cult favourite among family audiences, and was subsequently released along with the soundtrack album. This was for the first time in Kerala and second time in South India that the dialogues were released as a separate gramophone record.

#7. Iruttinde Athmavu (1966)

Iruttinde Athmavu

The film is about a mentally retarded youth born into a matriarchal family who is forced to live as a mad man in chains and who is misunderstood and ill-treated by everyone except his uncle’s daughter. Prem Nazir played the mentally challenged Bhranthan Velayudhan, widely accepted to be an extra ordinary performance and one of the best in his career. Nazir himself rated his role of Velayudhan in Iruttinte Athmavu and as the swashbuckling folk hero Thampan in Padayottam as his best. Also, its script is regarded as one of the finest by M. T. Vasudevan Nair. A major landmark in Malayalam cinema, the film provided Malayalam cinema with a new direction; that of the low-budget film. The film has earned a dedicated cult following.

#8. Nirmalyam (1973)


Nirmalyam (Malayalam: നിര്‍മ്മാല്യം, meaning “Remains” or “Yesterday’s Offerings”) is a 1973 Malayalam film written and directed by M. T. Vasudevan Nair,[1][2] and starring P. J. Antony and Shanta Devi.[3][4]Malayalam actor P. J. Antony won the National Film Award for Best Actor in 1974 for his performance as a velichappadu (an oracle or a medium between the Goddess and the worshipper in a Hindu temple) in this movie.[5] The film received the National Film Award for Best Feature Film and Kerala State Film Award for Best Film in 1974. It is one of the classics in Malayalam cinema. It is the debut of M. T. Vasudevan Nair as director and also the debut of Sukumaran and Sumithra as actors. It is the second movie of Ravi Menon, who acted earlier in a Hindi movie. This movie was a breakthrough in Ravi Menon’s acting career.

#9. Kodiyettam (1977)


The film captures the ascent of the protagonist, Shankaran Kutty, from a carefree individual to a mature responsible adult. The opening sequences, canned by the director himself, shows Shankaran Kutty- attending a temple festival. The film proceeds to show the irresponsible and often nomadic life style of Shankaran Kutty. Shankaran Kutty, though seemingly at the beginning of middle age, spends most of his time playing around with children, joining political processions and helping the villagers when he is not attending temple festivals. He is provided for by his younger sister who works as a house maid in the city of Thiruvananthapuram. His sister in an attempt to get his life organized arranges a marriage for him.

#10. Chemmeen (1967)


“Chemmeen”, renowned Malayalam novel by Thakazhi Sivasankara Pillai has been translated into more than thirty languages. The theme of the novel is a myth among the fishermen communities along the coastal Kerala State in the Southern India. The myth is about chastity. If the married fisherwoman was infidel when her husband was in the sea, the Sea Goddess (‘Kadalamma’ literally means Mother Sea)the Goddess wouls consume him. It is to perpetuate this myth that Thakazhi wrote this beautiful novel. The film version is somewhat successful with endearing acting performances by Kottarakkara Sreedharan Nair (Chemban Kunju), Sheela (Karuthamma), Sthyan (Palani) and Adoor Bhavani (Chakki, Chemban Kunj’s wife).

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